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‘A Century Later’ by Imtiaz Dharker

‘A Portable Paradise’ by Roger Robinson

‘A Wider View’ by Seni Seneviratne

‘England in 1819’ by Percy Bysshe Shelley

‘In a London Drawingroom’ by George Eliot

‘Like an Heiress’ by Grace Nichols

‘Lines Written in Early Spring’ by William Wordsworth

‘Name Journeys’ by Raman Mundair

‘On an Afternoon Train from Purley to Victoria’ by James Berry

‘Shall Earth no More Inspire Thee’ by Emily Brontë

‘The Jewellery Maker’ by Louisa Adjoa Parker

‘With Birds You’re Never Lonely’ by Raymond Antrobus

A Wider View is a meditative, time-traversing poem that traces the speaker’s connection with her great-great-grandfather, who laboured in industrial Leeds in the 1860s. From the confined domestic space of a “back-to-back” house, he searches for figurative space in a “smoke-filled sky” where he might preserve his dreams and protect his family. The poem moves into the grim specifics of his labor – working long hours in Temple Mill, facing dust, disease, and exhaustion. Despite these conditions, he finds momentary transcendence in Leeds’ architecture, notably Harding’s chimney, whose design momentarily lifts him above his burdens.

In the second half, the speaker steps into the present, walking the same industrial cityscape. Her footsteps echo in the “sodium gloom” of Neville Street, and the “red-brick vaults” begin to resonate with memory. As time collapses metaphorically into the River Aire, she imagines meeting her ancestor, sharing a moment of temporal collapse, connection to the past, and shared imagination that persists across time.

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