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‘A Century Later’ by Imtiaz Dharker

‘A Portable Paradise’ by Roger Robinson

‘A Wider View’ by Seni Seneviratne

‘England in 1819’ by Percy Bysshe Shelley

‘In a London Drawingroom’ by George Eliot

‘Like an Heiress’ by Grace Nichols

‘Lines Written in Early Spring’ by William Wordsworth

‘Name Journeys’ by Raman Mundair

‘On an Afternoon Train from Purley to Victoria’ by James Berry

‘Shall Earth no More Inspire Thee’ by Emily Brontë

‘The Jewellery Maker’ by Louisa Adjoa Parker

‘With Birds You’re Never Lonely’ by Raymond Antrobus

This poem a quiet yet poignant encounter between the speaker, a Black Jamaican immigrant, and a white Quaker woman on a London train. The woman initiates a friendly conversation and describes how she recently felt compelled to speak a poem about racial brotherhood aloud during a Quaker meeting. Her sincerity moves the speaker, but also stirs in him an unexpected vision of dimly lit city streets juxtaposed with his father’s bright banana field in Jamaica, suggesting homesickness, and cultural dislocation.

Their exchange continues with awkward yet earnest questions from the woman, including a humorous geographical misunderstanding (“What part of Africa is Jamaica?”). The speaker replies with gentle irony, “Where Ireland is near Lapland,” challenging the woman’s ignorance. Despite the naivety of her comments, the speaker finds her sincerity beautiful. The poem ends as others sit around them, suggesting both the public nature of their interaction and a possible broader social awakening.

The poem reveals the quiet complexities of postcolonial identity, the emotional weight of migration, and the human potential for understanding across cultural divides, even amid missteps or feelings of displacement.

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