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‘A Century Later’ by Imtiaz Dharker

‘A Portable Paradise’ by Roger Robinson

‘A Wider View’ by Seni Seneviratne

‘England in 1819’ by Percy Bysshe Shelley

‘In a London Drawingroom’ by George Eliot

‘Like an Heiress’ by Grace Nichols

‘Lines Written in Early Spring’ by William Wordsworth

‘Name Journeys’ by Raman Mundair

‘On an Afternoon Train from Purley to Victoria’ by James Berry

‘Shall Earth no More Inspire Thee’ by Emily Brontë

‘The Jewellery Maker’ by Louisa Adjoa Parker

‘With Birds You’re Never Lonely’ by Raymond Antrobus

Each day after sunrise he walks to the workshop-

like his father before him, and his father too

the slap of sandalled feet on heat-baked stone,

the smell of blossom, a plate-blue sky. He greets

his neighbours with a smile. In the distance

a wild dog barks.

 
 

He sits straight-backed, lays out pointed tools

the way a surgeon might – neat as soldiers.

He likes hot metal, the smell, the way it yields

to his touch. Under deft fingers gold butterflies dance;

flowers bloom; silvery moons wax and wane,

then wax again; bright dragonflies flap two pairs of wings.

 
 

He likes the tiny loops and curls – he’d decorate

his house in this, drape his wife in fine-spun gold;

her skin wrinkled by sun, in simple cotton dress,

her only jewellery a plain gold band, worn thin.

He imagines the women who will wear

what he has made, clear-eyed, bird-boned, unlined skin

warming the metal his hands caress.

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