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‘A Century Later’ by Imtiaz Dharker

‘A Portable Paradise’ by Roger Robinson

‘A Wider View’ by Seni Seneviratne

‘England in 1819’ by Percy Bysshe Shelley

‘In a London Drawingroom’ by George Eliot

‘Like an Heiress’ by Grace Nichols

‘Lines Written in Early Spring’ by William Wordsworth

‘Name Journeys’ by Raman Mundair

‘On an Afternoon Train from Purley to Victoria’ by James Berry

‘Shall Earth no More Inspire Thee’ by Emily Brontë

‘The Jewellery Maker’ by Louisa Adjoa Parker

‘With Birds You’re Never Lonely’ by Raymond Antrobus

I can’t hear the barista

over the coffee machine.

 
 

Spoons slam, steam rises.

I catch the eye of a man

 
 

sitting in the corner

of the cafe reading alone

 
 

about trees which is, incidentally,

all I can think about

 
 

since returning.

Last week I sat alone

 
 

on a stump, deep in Zelandia forest

with sun-syrupped Kauri trees

 
 

and brazen Tui birds with white tufts

and yellow and black beaks.

 
 

They landed by my feet, blaring so loudly

I had to turn off my hearing aids.

 
 

When all sound disappeared, I was tuned

into a silence that was not an absence.

 

As I switched sound on again,

silence collapsed.

 
 

The forest spat all the birds back,

and I was jealous—

 
 

the earthy Kauri trees, their endless

brown and green trunks of sturdiness.

 
 

I wondered what the trees would say about us?

What books would they write if they had to cut us down?

 
 

Later, stumbling from the forest I listened

to a young Maori woman.

 
 

She could tell which bird chirped,

a skill she learned from her grandfather

 
 

who said with birds you’re never lonely.

In that moment I felt sorry

 
 

for any grey tree in London,

for the family they don’t have,

 
 

the Gods they can’t hold

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