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‘Before You Were Mine’ by Carol Ann Duffy

‘Climbing My Grandfather’ by Andrew Waterhouse

‘Eden Rock’ by Charles Causley

‘The Farmer’s Bride’ by Charlotte Mew

‘Follower’ by Seamus Heaney

‘Letters from Yorkshire’ by Maura Dooley

‘Love’s Philosophy’ by Percy Bysshe Shelley

‘Mother, any distance’ by Simon Armitage

‘Neutral Tones’ by Thomas Hardy

‘Porphyria’s Lover’ by Robert Browning

‘Singh Song!’ by Daljit Nagra

‘Sonnet 29 – ‘I think of thee!’’ by Elizabeth Barrett Browning

‘Walking Away’ by Cecil Day-Lewis

‘When We Two Parted’ by Lord Byron

‘Winter Swans’ by Owen Sheers

‘Mother, any distance’ explores the transitional moment when a child begins to move away from parental dependence, symbolised through the practical task of measuring a new home. The speaker, likely a young adult, is assisted by his mother in measuring walls and doors with a tape measure – a literal and metaphorical representation of the bond between them. As the tape stretches through the house, it becomes a symbol of both connection and distance, measuring not just the space but the emotional journey from dependence to independence.

The metaphors of “anchor” and “kite” capture the tension in the mother-son relationship – the mother as a grounding force and the son as a figure poised for flight. The act of climbing into the loft evokes physical ascent and emotional elevation, culminating in a moment of suspense at the hatch: he must now choose whether to “fall or fly.” The poem’s structure and imagery reflect this delicate threshold between childhood and adulthood, safety and freedom.

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