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‘Before You Were Mine’ by Carol Ann Duffy

‘Climbing My Grandfather’ by Andrew Waterhouse

‘Eden Rock’ by Charles Causley

‘The Farmer’s Bride’ by Charlotte Mew

‘Follower’ by Seamus Heaney

‘Letters from Yorkshire’ by Maura Dooley

‘Love’s Philosophy’ by Percy Bysshe Shelley

‘Mother, any distance’ by Simon Armitage

‘Neutral Tones’ by Thomas Hardy

‘Porphyria’s Lover’ by Robert Browning

‘Singh Song!’ by Daljit Nagra

‘Sonnet 29 – ‘I think of thee!’’ by Elizabeth Barrett Browning

‘Walking Away’ by Cecil Day-Lewis

‘When We Two Parted’ by Lord Byron

‘Winter Swans’ by Owen Sheers

‘When We Two Parted’ is a deeply personal elegy in which the speaker reflects on the painful end of a secret love affair. The poem begins with the memory of a silent and tearful parting, filled with sorrow and foreboding. As the poet recounts the physical and emotional coldness of the moment, he hints at a deeper, ongoing anguish. The beloved’s broken vows and loss of public reputation cause the speaker to suffer silently, especially when her name is mentioned socially – he reacts as if hearing a death-knell.

Despite the secrecy of their relationship, the speaker implies he knew her “too well,” suggesting intimacy and betrayal. His grief remains unspoken, intensifying the sense of loneliness and emotional repression. The speaker condemns her forgetfulness and duplicity but cannot forget her himself. The poem closes with the hypothetical possibility of encountering her again, yet he insists such a meeting would be met only with “silence and tears,” just as before. Thus, the poem explores unspoken pain, unacknowledged love, and a longing unresolved by time.

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