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‘Before You Were Mine’ by Carol Ann Duffy

‘Climbing My Grandfather’ by Andrew Waterhouse

‘Eden Rock’ by Charles Causley

‘The Farmer’s Bride’ by Charlotte Mew

‘Follower’ by Seamus Heaney

‘Letters from Yorkshire’ by Maura Dooley

‘Love’s Philosophy’ by Percy Bysshe Shelley

‘Mother, any distance’ by Simon Armitage

‘Neutral Tones’ by Thomas Hardy

‘Porphyria’s Lover’ by Robert Browning

‘Singh Song!’ by Daljit Nagra

‘Sonnet 29 – ‘I think of thee!’’ by Elizabeth Barrett Browning

‘Walking Away’ by Cecil Day-Lewis

‘When We Two Parted’ by Lord Byron

‘Winter Swans’ by Owen Sheers

‘Walking Away’ is a poignant reflection on parenthood and the painful necessity of letting go of one’s child to enable them to grow and thrive. The speaker recalls a moment “eighteen years ago,” watching his young son walk away after his first football match. The day is bright but marked by a subtle shift – summer turning to autumn, innocence giving way to growth. The boy’s departure is described through powerful similes: “like a satellite / Wrenched from its orbit,” and “like a winged seed,” both suggesting natural yet distressing severance.

The speaker’s tone is contemplative and sorrowful, but not despairing. He compares his son’s uncertain steps to a “half-fledged thing set free,” highlighting the vulnerability and necessity of separation in a child’s development. The act of “walking away” becomes a metaphor for the birth of selfhood, implying that individuation is essential, though it causes pain. The final stanza resolves this tension. The father acknowledges that though he’s faced more traumatic partings, none linger as powerfully. The poem concludes with a profound realisation: love is not control but release. By allowing the child to walk away, the parent enacts the deepest form of care.

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