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‘Before You Were Mine’ by Carol Ann Duffy

‘Climbing My Grandfather’ by Andrew Waterhouse

‘Eden Rock’ by Charles Causley

‘The Farmer’s Bride’ by Charlotte Mew

‘Follower’ by Seamus Heaney

‘Letters from Yorkshire’ by Maura Dooley

‘Love’s Philosophy’ by Percy Bysshe Shelley

‘Mother, any distance’ by Simon Armitage

‘Neutral Tones’ by Thomas Hardy

‘Porphyria’s Lover’ by Robert Browning

‘Singh Song!’ by Daljit Nagra

‘Sonnet 29 – ‘I think of thee!’’ by Elizabeth Barrett Browning

‘Walking Away’ by Cecil Day-Lewis

‘When We Two Parted’ by Lord Byron

‘Winter Swans’ by Owen Sheers

‘Singh Song!’ is a vibrant, humorous monologue by a young British Indian man who runs one of his father’s corner shops. Although expected to work diligently, he frequently neglects his duties to sleep with his new wife upstairs. The poem alternates between the complaints of customers. who lament the disordered shop, and the speaker’s romanticised depiction of his rebellious, eccentric bride. She is portrayed with both comic flamboyance and affectionate reverence, embodying a mixture of traditional and modern influences: she wears a tartan sari, swears in Punjabi, and books dates online.

Beneath the humour and linguistic play, the poem addresses serious themes of identity, love, and generational conflict. The speaker attempts to reconcile familial duty with personal freedom, and traditional cultural values with a more contemporary, romantic sensibility. As the poem shifts into a quieter, lyrical register toward the end, it deepens emotionally. The couple sits together in the shop at night, sharing tender, intimate exchanges beneath the “brightey moon.” Their affection transcends commerce and conflict, suggesting that love, in its defiant hybridity, is “priceless.”

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