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‘Bayonet Charge’ by Ted Hughes

‘The Charge of the Light Brigade’ by Alfred, Lord Tennyson

‘Checking Out Me History’ by John Agard

‘The Emigrée’ by Carol Rumens

‘Kamikaze’ by Beatrice Garland

'My Last Duchess’ by Robert Browning

‘Ozymandias’ by Percy Bysshe Shelley

‘The Prelude’ by William Wordsworth

‘Remains’ by Simon Armitage

‘Storm on the Island’ by Seamus Heaney

‘War Photographer’ by Carol Ann Duffy

‘London’ presents a bleak portrait of England’s capital city, highlighting elements of suffering, oppression, and corruption. The speaker describes walking through the city while observing widespread misery and hardship. The repetition of “charter’d” emphasises the control and regulation of both people and places, including the River Thames, suggesting a lack of freedom, whilst citizens wear “marks of weakness, marks of woe” as their environment takes a physical and emotional toll on them. A key idea in the poem is the concept of “mind-forg’d manacles,” symbolising the mental and societal constraints that prevent people from escaping their suffering. Blake criticises institutions such as the Church, the monarchy, and the government, using vivid imagery like “black’ning Church” and “blood down Palace walls” to underscore their complicity in human suffering. The poem also explores the cycle of poverty and moral decay, with the final stanza depicting a young prostitute whose “curse” affects newborns and marriage, symbolising the corruption of innocence. By portraying London as a place of despair and institutional oppression, Blake delivers a powerful critique of the society of his time, with the city of London serving as a metonym for a broader erosion of values.

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