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‘Bayonet Charge’ by Ted Hughes

‘The Charge of the Light Brigade’ by Alfred, Lord Tennyson

‘Checking Out Me History’ by John Agard

‘The Emigrée’ by Carol Rumens

‘Kamikaze’ by Beatrice Garland

'My Last Duchess’ by Robert Browning

‘Ozymandias’ by Percy Bysshe Shelley

‘The Prelude’ by William Wordsworth

‘Remains’ by Simon Armitage

‘Storm on the Island’ by Seamus Heaney

‘War Photographer’ by Carol Ann Duffy

  • Poet: Jane Weir (1963–) 
  • Year: 2005 
  • Form: Free verse
  • Key techniques: Second-person POV, sensory imagery, symbolism, caesura, motif of clothing

About the poet

Jane Weir is a British poet, novelist, and designer who often draws upon her Anglo-Italian heritage in her writing. She is particularly renowned for her poetry that gives voice to untold perspectives, particularly women’s experiences of war, offering insights into both past and present conflicts and making her a significant figure in contemporary British literature.

Historical context

Poppies are a potent symbol of remembrance and hope for a peaceful future after war, originating in World War I but now taking on broader symbolism for all armed forces. This poem was written at a time when British soldiers were fighting in conflicts in Afghanistan and Iraq, reflecting the personal grief and loss experienced by families, particularly mothers, drawing on the tradition of war poetry while focusing on the impact on those left behind.

Literary context

In 2005, the poet Carol Ann Duffy commissioned various poets including Weir to write poems to honour the sacrifices made by British soldiers in the Middle East. These poems were published in a collection called Exit Wounds.

Key ideas

  • Power of memories
  • Family connection and legacy
  • Innocent victims of war
  • Personal and emotional loss
  • Power of sacrifice

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