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‘Bayonet Charge’ by Ted Hughes

‘The Charge of the Light Brigade’ by Alfred, Lord Tennyson

‘Checking Out Me History’ by John Agard

‘The Emigrée’ by Carol Rumens

‘Kamikaze’ by Beatrice Garland

'My Last Duchess’ by Robert Browning

‘Ozymandias’ by Percy Bysshe Shelley

‘The Prelude’ by William Wordsworth

‘Remains’ by Simon Armitage

‘Storm on the Island’ by Seamus Heaney

‘War Photographer’ by Carol Ann Duffy

Remains’ explores the psychological trauma of a soldier haunted by his actions during war. In the poem, the soldier recounts an incident where he and his comrades shot a suspected looter. The repetition of “probably armed, possibly not” highlights the uncertainty and moral culpability the soldier feels about whether the killing was justified. As the poem progresses, it shifts from a description of the event to the long-term impact on the soldier’s mental state. Even after returning home, he cannot escape his memories – “he bursts again through the doors of the bank” in his dreams. The use of enjambment and fragmented structure mirrors the soldier’s disjointed thoughts, showing how war has left him psychologically broken. The final lines, “his bloody life in my bloody hands” is reminiscent of Macbeth and one of the most famous symbols in Shakespeare where Lady Macbeth hallucinates blood on her hands that represents guilt and inescapable trauma. The poem critiques the dehumanising nature of war, exposing how soldiers are left to deal with their guilt alone, long after the conflict has ended.

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