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‘Bayonet Charge’ by Ted Hughes

‘The Charge of the Light Brigade’ by Alfred, Lord Tennyson

‘Checking Out Me History’ by John Agard

‘The Emigrée’ by Carol Rumens

‘Kamikaze’ by Beatrice Garland

'My Last Duchess’ by Robert Browning

‘Ozymandias’ by Percy Bysshe Shelley

‘The Prelude’ by William Wordsworth

‘Remains’ by Simon Armitage

‘Storm on the Island’ by Seamus Heaney

‘War Photographer’ by Carol Ann Duffy

‘Tissue’ is a reflective poem that explores the significance of paper as both a physical and symbolic entity. The poem begins by highlighting the delicate nature of paper, describing how light shines through it and how it records human history, particularly in books and religious texts. The mention of names, dates, and personal details underscores the role of paper in preserving human identity and memory. However, as the poem progresses, Dharker contends that paper structures, such as maps, receipts, and even buildings, are impermanent and subject to change. She contrasts the supposed strength of human constructions with their inevitable fragility, suggesting that even powerful institutions and borders are temporary. The poem presents a vision of an ideal world where structures are fluid and open, allowing for adaptability rather than rigid permanence. In the final lines, Dharker compares paper to human skin, emphasising the connection between the written word and human life. This metaphor reinforces the poem’s central message: that despite our desire for permanence, everything, whether physical or conceptual, is ultimately ephemeral.

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